Stories I keep meaning to write down. Weddings, the Jets years, the year I lived with Avid DiVa, the houses Steph and I have been rebuilding since 2019. One at a time. No schedule.
It’s the hardest project we’ve taken on. It’s also the only one I’d do again tomorrow.
— from Notes 002
She sees what a room could be. I price it.
A single family in Morristown nobody wanted, the basement I would have left alone, and the two months that made it two homes. With the whole sheet.
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Oheka Castle, September 2014. A music video shoot, a moment at the monitor, and the call about Prague I said no to. The honest version.
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My phone, in the Blank Space video. Steph, running baseboard on Western Ave.
Five seasons inside 1 Jets Drive — 2010 to 2015. What Rex's locker room actually sounded like, and the Sunday I almost missed the team plane.
Dustin Robertson let me live in his Hollywood studio. We cut Mariah, Gaga, Gap. Then we packed up for Palm Springs.
I said yes to a favor for a friend. Three hundred and fifty weddings later, I still say yes to the same kind of room.
Fifteen years of buying cameras that promised to fix my footage. Turns out the fix was one camera, actually used. This is the one I stopped switching from.
Before the wedding, before the kids, there was a Dance Dance Revolution machine and a couples sync tournament. Steph and I got fourth place. It was love.
Notes is written and cut by me, Justin Herrera — wedding filmmaker, broadcast editor, dad. Entries move through the same pipeline as my films: logged, string-out, rough cut, fine cut, published. No schedule, no algorithm. If you’re trying to get better at video yourself, I keep a free half hour on my calendar for exactly that.
Justin.